Amplifying Black Voices: Do the Right Thing- A Spike Lee Joint

If you are tired of turning on the news to see another black person being killed by another policeman then you need to watch 1989’s Do the Right Thing. If you are tired of having to memorize another name on a never ending list of Breonna Taylor’s and George Floyd’s then you need to watch 1989’s Do the Right Thing. If you are frustrated that things seemingly never get better then…well you know.

Every one should watch or re-watch Spike Lee’s Do the Right Thing. Especially right now in this moment in time when a chunk of the world is starting to actually admit there is a problem. What you will find is things are exactly the way they were back in the ’80s. In 30 years nothing has changed. And that should make you angry and disgusted. Even if you are tired of hearing about it you need to keep reminding yourself how bad it is because we can’t have another 30 years of unfettered violence by those pledged to protect all of us.

For those of you who are too tired of dealing with the same stories over and over, just imagine having to live through it for decades. Just imagine being 32-year-old Spike Lee writing, directing, and starring in a film about a policeman killing a black man and then waking up on May 25th, 2020 as a 63-year-old man witnessing George Floyd falling victim to the exact scenario you made a movie about. And George Floyd is only one of the many, many, many victims in the 31 years since the movie’s release. Just another name on a never ending list.

The truth is this film could have been released in 2021 with only minor changes (Mookie would work for Grubhub instead of directly for Sal’s Pizzeria for example) and it would be renowned for the timeliness of it’s message. Hell, in a twist of life imitates art, it might have been criticized for shamelessly ripping off the headlines of the George Floyd murder. Sadly, this film represents the present as much as it is a story of the past.

And in the present, as it was in the past, this film is near perfect. It has the feel of a play with an irresistible cast of characters set on a single block in a neighborhood in the borough of Brooklyn. The block is a character. The heat is a character. The pizzeria is a character. The boiling racial tension is a character. It is set in a single day and moves through it with pacing that is impeccable and makes you want to stay forever.

For a while you think this is going to be a movie seemingly about nothing. Just a day in the life of numerous people living in Bed-Stuy on a hot summer day. And it still feels worth your time because the movie is alive and real. Then you realize this film isn’t allowed to be about nothing because people of color don’t have that privilege.

And then it happens. Sal, the owner of the pizzeria is remarking how good of a day it was. Despite the heat he and his sons made a lot of pizza and earned good money. He is a proud Italian-American and even prouder that the mostly black neighborhood that he serves has grown up eating his food. From there everything shifts quickly. Tensions boil over due to a seemingly small thing. It moves fast and before you know it a black man is dead by the hands of a policeman and the single block in a neighborhood in the borough of Brooklyn will never be the same.

Except it will. Because things never change and this is the existence of the block and of black lives. Sure they will all miss their friend that died but at the end of the day he will just be another name on a never ending list.

Amplifying Black Voices: 13th from Ava DuVernay

What’s more difficult? Earning someone’s attention or keeping it? Over the past few weeks the Black Lives Matter movement has finally earned the attention it has long deserved. We here at Flimsy Film Critics firmly believe Black Lives Matter and we do not want to see this movement turn into only a moment, we want them to matter every day going forward.

As two privileged white males the best thing we can do is listen and then use what we learn to help spread the message of equality and the need for systemic changes in every avenue of our world. Not only spread the message but use our platform to amplify their voices. Clearly this won’t solve everything but we feel it is our responsibility to do our part to help keep this obscenely important message alive and well and in the forefront of everyone’s mind.


The best place to start in the film world is the documentary filmĀ 13th from Ava DuVernay. It’s probably the most recommended film in light of the recent week’s events and there is good reason for that. Just watch it. This documentary sets the stage and clearly lays out exactly how we got to the place we are today. It is harrowing, difficult to watch, and filled to the brim with so much information that it will demand a second viewing just to take it all in.


The documentary breaks down how the current state of our judicial system was created to imprison as many people as possible, particularly people of color. It shows the clear transition from the end of slavery to the exploitation of a loophole in our constitution to keep entire generations of a portion of our society down.


The film overwhelms the viewer with clear data that lays bare the clear racism that exists in our policies, our policing, and our politicians. It states plainly the horrors that black people face every single day.


Ava DuVernay is the first black female director to have a film nominated for the Academy Award for Best Picture for Selma. She was the first black female director to have a documentary film nominated as well for 13th. And yet it has taken weeks of protests and press and attention for my network of people, and myself, to start paying attention to her. Her talent is incredible, her work speaks for itself, and we need to stop ignoring people on the basis of their gender and their skin. We need her voice and we need to listen.

There is no justification for not joining this equal rights movement. There is no justification for not watching, for not listening, for not educating, for not amplifying. The time should have been decades ago but the time is now. Watch. Listen. Educate. Amplify.

Black Lives Matter.

A Statement from Flimsy Film Critics

I vividly recall hearing about the events in Charlottesville back in 2017.

That was the summer of the Unite the Right rally, where white nationalists, neo-Nazis and other various pieces of crap protested the removal of a statue of Robert E. Lee, among other things. Tensions escalated and it ultimately resulted in the murder of Heather Hayer, who was killed when a white supremacist drove his car into a crowd of counter-protesters. I was despondent over how atrocities like this could still take place in America (which was incredibly naive to say the least) and I wound up getting drunk and despaired over the state of our country. This followed a pattern that I established for myself whenever something this awful made headlines in the news: sympathy for the victims from afar, silent support for any movement protesting against racism, but no action taken by myself to try and help be a part of the solution.

Fast forward to today. The murder of George Floyd by Minneapolis police officers sparked nationwide protests against racism and police brutality against black people. These protests seem a little different than others from the past 10 years, as the public outcry has been more vocal and united to address the never-ending issue of systemic racism in the United States. I haven’t personally attended any of the protests. At first, I didn’t really know what the hell to do. Kevin and I weren’t even sure if we should keep posting on this blog, because white guys like us should just be listening and learning right now. Writing about films may be a passion of ours, but it pales in significance to what is happening in our country and what has been happening to black people since well before either of us were born.

However, I also don’t want to revert back into my cycle: outrage at the atrocity and sympathy for the victims, but only silent support from afar. I want to do better this time. And I think the first step towards that, in addition to being willing to listen and learn, is to admit that I’m part of the problem.

Allow me to repeat that: I AM PART OF THE PROBLEM.

I am not a racist, but my white privilege has afforded me the luxury of resuming my normal life after each one of these horrific events. What I didn’t understand before is that falling back into my usual cycle only perpetuates the problem and allows it to continue. To quote The Reverend Martin Luther King Jr., “Such an attitude stems from a tragic misconception of time, from the strangely irrational notion that there is something in the very flow of time that will inevitably cure all ills. Actually, time itself is neutral; it can be used either destructively or constructively. More and more I feel that the people of ill will have used time much more effectively than the people of good will. We will have to repent in this generation not merely for the hateful words and actions of the bad people but for the appalling silence of the good people.”

The appalling silence of the good people.

This is not about my guilt or my own inaction. All I really want is to help. There is a problem and I can do more to try and make a difference. I’ll take steps in my own life to learn and educate myself more. And I won’t allow myself to forget this time and blindly retreat back into my comfortable life. But what does that mean for this blog?

What I’d like to do is use the platform that we have to try and elevate films from black directors, black screenwriters and black actors. Shine a spotlight on those who understand what it’s like to be treated differently because of the color of their skin. Sure, we’ll talk about some movies and documentaries that you’ve heard of, but even more important will be to focus on the ones that you haven’t. Those are the voices and the people that need to be heard right now. And it’s not about furthering our own self-interest or about any sort of monetary gain. Truthfully, we’ve never made money off of this blog anyway, but that’s not the point. The goal would be to try and help these stories find a bigger audience. Then it’s up to the rest of us to open our hearts and listen.

That doesn’t mean we’ll never write about other films again. I have no idea when we’ll get back to that, but that doesn’t matter right now. What matters is that there is something terribly wrong with this country.

And we’re going to do what we can to help.